Große Zwei XXV
Facts
The two lovers
Fritz Koenig strove for formal inventions that could exist autonomously in their aesthetics with maximum reduction of the sculptural form and also make it possible to intuitively experience the human figure in the field of tension of its emotions. He has worked intensively on questions relating to innovative ways of representing bodies and their dynamic movement processes. Koenig plays with the physical laws of gravity and explores them to their limits. The figures, reduced to cylindrical bodies and spherical heads, seem to have lost their stability according to all the laws of statics and threaten to topple. Several large sculptures from the "Zwei" series have been installed as "art in architecture" around public buildings.
(Excerpt text Stephanie Gilles, Bavarikon)
More Artworks in the Public
- Landshut, DE
Großer Trieb
00km - Landshut, DE
Durchstich
10.1km - Landshut, DE
Großer Janus
00.1km - Landshut, DE
Blattfigur
00.1km - Landshut, DE
Großes Epitaph XIV
1060.1km - Landshut, DE
Großes Bouquet III
300.1km
Kore I D

Großes Epitaph für Zwei IX

Großes Epitaph für Zwei II

Venezianisches Epitaph für Zwei

Großes Schrankepitaph für Zwei

Großer Rossmensch (2. Fassung)

Großes Epitaph für einen Architekten

Epitaph VIII

Großes Paar

Großes Epitaph für Zwei V/4

Geklammerte Figur

Poseidon

Epitaph für Zwei im Gehäuse

Kugelkaryatide V N.Y.

Großes Rossweib II

Zwei I

Gruppe 60 I

Großer Vogel (Autobahnvogel)
