Große Zwei XXV
Facts
The two lovers
Fritz Koenig strove for formal inventions that could exist autonomously in their aesthetics with maximum reduction of the sculptural form and also make it possible to intuitively experience the human figure in the field of tension of its emotions. He has worked intensively on questions relating to innovative ways of representing bodies and their dynamic movement processes. Koenig plays with the physical laws of gravity and explores them to their limits. The figures, reduced to cylindrical bodies and spherical heads, seem to have lost their stability according to all the laws of statics and threaten to topple. Several large sculptures from the "Zwei" series have been installed as "art in architecture" around public buildings.
(Excerpt text Stephanie Gilles, Bavarikon)
More Artworks in the Public
Landshut, DEGroßer Trieb
00km
Landshut, DEDurchstich
10.1km
Landshut, DEGroßer Janus
00.1km
Landshut, DEBlattfigur
00.1km
Landshut, DEGroßes Epitaph XIV
1060.1km
Landshut, DEGroßes Bouquet III
300.1km
Kore I D
Großes Epitaph für Zwei IX
Großes Epitaph für Zwei II
Venezianisches Epitaph für Zwei
Großes Schrankepitaph für Zwei
Großer Rossmensch (2. Fassung)
Großes Epitaph für einen Architekten
Epitaph VIII
Großes Paar
Großes Epitaph für Zwei V/4
Geklammerte Figur
Poseidon
Epitaph für Zwei im Gehäuse
Kugelkaryatide V N.Y.
Großes Rossweib II
Zwei I
Gruppe 60 I
Großer Vogel (Autobahnvogel)
Große Bilderschriftkugel